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Most Helpful Customer Reviews
16 of 16 found the following review helpful:
Great and Cold Apr 05, 2006
By metal fan
"metal"
For all of you new to Katatonia, they are a dark, progressive blend of melancholic and aggressive melodies. The structure of the songs allows them to shift from sometimes very ambient, melodic and depressing to crushing agressive often times complex riffs. People often compare these guys to Opeth, and sometimes the emotional atmosphere is quite similar, however, I'd draw a closer connection to the likes of Tool, or more meloidc metal such as Novembre, and even some elements of Porcupine Tree.
The vocals are rarely screamed, and if they are it's usually in the background, which creates a haunting aura. Very powerful. Tracks like Rusted and Leaders use this effect very well.
Anyways, their last album, Viva Emptiness created a musical journey through powerful emotional mixtures, however, the album didn't have the flow The Great Cold Distance has. This is quite possibly their best of their new stuff. (I'm not too familiar with thier old stuff, all I know is that it is Doom Metal, and I am starting to explore it) Not only is each song solid with great composition, execution, TOP NOTCH production, but the album as a WHOLE flows together. If in the right mind set, you can almost feel like you're in the mistd of some Great Cold Distance. It's an atmosphere few bands are able to acomplish.
This is truley a haunting album which I strongly believe fans of many different types of music can relate to. Fans of Doom/Death/Black metal would most likely like this just as much as fans of progressive/melodic/experiemental metal would. This is must buy for Katatonia fans, and would be a GREAT place to start for newcommers...
Track ratings
Leaders - 5/5
Deliberation - 5/5
Soil's Song - 5/5
My Twin - 5/5
Consternation - 4/5
Follower - 4/5
Rusted - 5/5 (my second favorate)
Increase - 5/5
July - 10/5 (my favorite)
In The White - 5/5
The Itch - 5/5
Journey Through Pressure - 4/5
12 of 12 found the following review helpful:
Dark and relentlessly dense Apr 04, 2006
By Murat Batmaz The Great Cold Distance is in many ways the best Katatonia album since their undisputed 1996 masterpiece Brave Murder Day. It was after this album when Katatonia decided to explore uncharted waters, opting for a more laidback yet perhaps darker and more depressing songwriting formula. With amazing records like Discouraged Ones and Last Fair Deal Gone Down, they have established themselves as one of the leading forces in the genre, rivaled by only a handful other bands, if any.
Despite the relatively compact songs, the new Katatonia album is an extremely demanding listen, the compositions being made up of complex arrangements, deliberately disfunctional rhythmic patterns, and often discordant riffs. Given songwriters Jonas Renkse and Anders Nystrom have cited Tool as one of their favourite bands, it comes as no secret that the main riff of the album opener "Leaders" bears a similarity with Tool's "The Grudge", not to mention vocalist Renkse's great vocal melodic progressions that bring to mind the great Maynard Keenan. Daniel Liljekvist provides some amazing screams on this track, contributing to the dark nature of the piece. However, it is his drumming on The Great Cold Distance that will leave many fans' jaws hanging. This guy is a monster and this album features without doubt the best Katatonia drumming in years. Same thing goes for Mattias Norrman's bass work. The song "Follower" seems like it was developed around his amazing bass groove, with powerful guitar work that entails tons of reverb rendering it perhaps the most atmospheric and depressive number on the album. The guitar theme that soars above the composition before the heavier final section sends shivers down the spine: melody and emotion unite in order to create magic during a ten second solo passage.
The album's first single "My Twin" is a suitable choice. Layers of subtle keys, rhythmic drumming and amazing vocal melodies all create a dreamy atmosphere as a dark acoustic guitar melody is played underneath the arrangement. "Deliberation" isn't too different in the way that it retains the trademark Katatonia atmosphere with thorough production and an infectious chorus, not to mention the amazing backing vocals by Anders Nystrom. Songs like "Rusted" and "Increase" feature cascading guitar swells, rising mellotron sounds, shifting dynamics that alternate between the band's love for depressing serene sections and grinding, riff-based textures.
There are also some great Opeth-like moments on the album. When I say Opeth, I'm strictly referring to their Ghost Reveries period. The third track "Soil's Song", considered a favourite by many, is formulated by distinct Opethian guitar work with its pull-offs and open strings, dictating a multi-layered arrangement with detailed production values. The guitars are thick and the keys at the end are sublime. "Consternation" is a heavier track, but still marked with creative Opeth traits. The chopped riff progression and constant use of ninth chords and triplets culminates in one of the heaviest and most dynamic songs on the album.
It could be argued that The Great Cold Distance, while compositionally strong, doesn't really reinvent the wheel, and is more of a continuation of their sounds achieved on Last Fair Deal Gone Down and Viva Emptiness. This may be true to an extent, but there are two songs on this album where Katatonia really break new ground: "July" and "In the White". The former finds the band pushing their melodic aspects a step further, utilising sparse drum beats and excellent vocals; while the other piece is a perfect harmony of bass, drums, acoustic guitars, and keyboards. Renkse's mournful vocals on the song are betrayed by thundering bass explosions and crashing cymbals. These songs are among the most progressive (in the truest meaning of the word) Katatonia songs ever.
Lyrically the album is equally complex. Though various interpretations could be made, such as coldness, nervous breakdown, and the contrast between light and dark, I firmly believe Renkse expresses ideas of freedom of speech (or lack thereof) or lack of freedom in general. Given lines that go like, "My mouth remains inactive" (Deliberation); "Keep your last words in your hand" (Soil's Song); or "My mouth was sewn" (Leaders), Jonas Renkse must have felt the need to write about these thoughts a lot. A more general outline could be made if you give the lyrics a closer attention, with the exception of the song "July" (which itself signifies a new direction for Katatonia).
If you decide to get the special edition box of the album, your copy will contain the band's first ever video of "My Twin", a poster, some postcards, and a special CD with both sides being black. Get this album immediately because it's going to be a top release for most listeners.
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Tracklisting- Leaders . Deliberation . Soil's Song . My Twin . Consternation . Follower . Rusted . Increase . July . In the White . The Itch . Journey Through Pressure
5 of 5 found the following review helpful:
"i see the bright lights, it's the month of july" May 18, 2006
By John P. Ingles
"John X"
katatonia never fail to bring the goods and this latest album is no exception... drawing heavily from opeth and tool, katatonia have never sounded better... their ability to draw the listener in with hypnotic, chugging power chords and radial guitar dissonance through harmonies is simply amazing...
all 12 tracks are interesting in their own right... and jonas' voice and lyrics provide the toppings for melancholy bliss... i'm already stating it- this is my choice for #1 album of 2006 hands down...
now if they could just tour north america...
6 of 7 found the following review helpful:
Moody and Mesmerizing..... Oct 14, 2006
By Joel Israel
"Professional Shark Wrestler"
This is one of those albums that takes you by surprise.....I popped this one in my car, and found myself unable to get past the first four tracks, as I had to keep skipping back to them to hear them just one more time....phenomenal album, excellent songwriting. Katatonia is a band that warrants comparison to Pink Floyd, Radiohead, and (especially) Porcupine Tree. Melancholy, mournful vocals float and dance over narcotic, densely-layered modern rock music, creating an extremely well-crafted and compelling album which is one of the best progressive rock albums I have heard in years. One thing that really sets this album apart is the fact that every facet of the album, from production to songwriting and percussion, is simply top-notch. The production, in particular, is reminiscent of Steve Wilson's near-perfect production and mixing on both his various Porcupine Tree projects as well as Opeth's recent releases. I simply cannot recommend this enough for fans of intelligent modern progressive rock.
3 of 3 found the following review helpful:
Mainstr--what??? Oct 25, 2007
By avgvstvs
"Matt Seil"
I have to completely counter another reviewer... I've listened to Katatonia for years, I have the complete discography and when it comes to the previous album, "Viva Emptiness," I must simply assume that he has a problem with clean guitar tones. Mainstream? What the hell? I've never heard a mainstream band with lyrics that so subtly suggest suicide like "Omerta," or the helplessness felt in leaving a lover to die in the song "Criminals," anyone who suggests this band went "mainstream" never paid attention to the extremely exquisite dark lyrics.
I've never heard another band that sounds like Katatonia, one band came close, Sweden's venerable Misery Loves Co., but that band is long gone. I loved "Viva Emptiness," and the same can be said for this album. It's dark and brooding, and crafts a great mood. I personally considered "Viva Emptiness" the crowning achievement of this band, and this album carries that sound to it's next logical step forward; it's grittier, but the lyrics have not lost their sharp edge honed since '93. You can hear this band's maturity and the fact that they only get better from album to album makes me shudder to think of what they could do next?
This album is hard to top. I really can't think of another band it compares to, there's a few mild influences of A Perfect Circle and Tool--but this is what I can only describe as "Suggested influences." You won't hear any blatant rip-offs, they are very mild and are able to hide their influences well--the mark of excellent musicians.
If you're a fan of dark music, this band--in my opinion--is where the search ends. The vocals are soft and melodic, but the lyrics cut like a cold knife. Excellent use of imagery and in this album they continue their ride at the top of their game continued from "Viva Emptiness."
See all 34 customer reviews on Amazon.com
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The
Importance Of Lighting In Interior Design
by Jessica Ackerman
Everyone knows how important
paint color, furniture choices and artwork are to
interior design. One aspect of design that is often
overlooked, however, is lighting. Lighting not only
affects the brightness of the room, but it can also
change the way a paint color looks, cast shadows in ways
that make the room seem smaller and have an impact on
the presentation of art work.
There is no light like
natural light. If you are buying, building or
remodeling, opt for as much natural light as possible.
Oversized windows and skylights are two ways to get the
most natural light. Of course, not everyone is in the
position to be able to do that, so you'll have to work
with what you have.
How much natural light do
you get in your room? If the room in question faces
north, you won't get as much natural sunlight as you
would in a southern facing room. Rooms that face south
get bright, natural light throughout the day. Rooms that
face east will only have good natural light in the
morning hours and western facing rooms will have the
most light during the afternoon.
Once you are familiar
with how much natural light is in each room, you'll be
able to make informed choices about what additional
lighting may be necessary. Keep in mind that rooms with
little or no natural light will need artificial lighting
- even during the day - in order to look their best.
Here are some types of lighting to consider.
1. Accent Lighting
Accent lighting is
perfect when you want to showcase a piece of art or a
special piece of furniture or other item. Since light
draws the eye, it will bring attention to the features
in your room that you wish to highlight.
2. Hanging Light Features
Chandeliers and smaller
hanging lamps can be beautiful as well as functional. A
trip to the local home improvement store will quickly
show you how overwhelming the choices can be. You'll
want to select lighting that blends in with your
existing dÃÂécor. For example, a crystal chandelier in a
country themed dining room probably isn't the best
option. If you don't choose carefully, your lighting may
stick out like a sore thumb and become more of an
eyesore than a lovely accent.
3. Recessed Lighting
Recessed lighting is a
good choice for a room that needs extra light throughout
the day. Because the lighting won't interfere with the
existing decor, it can work in almost any room. It
provides abundant light without taking up a lot of space
or interfering with other aspects of the room.
4. Lamps
Using lamps are a way to
add not only additional lighting, but also punches of
color. If possible, see how much light the lamp gives
off before leaving the store. Many lamps serve as
decoration more than as a light source and give off very
little light. If you love the lamp, but it doesn't give
off quite enough light, consider changing the shade
which will usually solve the problem.
When decorating your
home, remember how important lighting is, and give it
the same thought and attention you give to the other
details of decorating your home.
About the Author
Jessica Ackerman is the
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