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| Customer Reviews: | | Average Customer Review: ( 252 customer reviews )
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Most Helpful Customer Reviews
50 of 50 found the following review helpful:
Outstanding digital photography book Jan 15, 2008
By M. A. Filippelli
"Marc12074"
The digital photography handbook,
This is the most helpful book on digital photography I have seen in a while. Each page of the book has some scenario and a ways to work with is to get the best possible shot. It's also covers many different ways to overcome what ever adverse shooting situation you might be. Kelby Talks about cheap ways to overcome situations. He also talks about more expensive ways to overcome situations. On each subject where he discusses a scenario there are usually multiple photos to show you each effect of each solution will have on the photo. Each subject is covered very well in about two pages. The photography is outstanding and in color.
Kelby covers all types of digital photography from portraiture to landscape, lighting flashes, different types of digital cameras.
Kelby covers using a flash, building a studio from scratch, shooting portraits like a pro, shooting landscapes like a pro, shooting weddings like a pro, shooting travel like a pro, shooting macro like a pro, pro tips for getting photos and more photo recipes to help you get the shot. All of these subject are covered very well.
The book is written in an easy to understand, easy to read and with some humor. Each topic is about one page in length.
I consider myself to me an intermediate photographer and I can say that this is and continue to be very helpful to me. I This is a must for the beginner to intermediate photographer. The book is small enough to carry in your camera equipment bag. This book is packed with information and extremely helpful tips.
240 of 269 found the following review helpful:
Expert Techniques Made Simple Jan 11, 2008
By Anton Tobias This book truly has a brilliant premise and here's how Scott Kelby describes it: "If you & I were out on a shoot & you asked me, `When I use my flash, the background behind the person I'm shooting turns black. How do I fix that?' I wouldn't give you a lecture on flash ratios, or start a discussion on flash synchronization and rear curtain synch. I'd just say, 'Lower your shutter speed to 1/60 of a second. That should do it.' Well, that's what this book is all about: you & I out shooting where I answers questions, give you advice, and share the secrets I have learned just as I would a friend-without all the technical explanations and techie photo speak."
Each page covers a single concept on how to make your photography better. Every time you turn the page, you'll learn another pro setting, tool, or trick to transform your work from snapshots into gallery prints. If you are tired of taking shots that are "okay," and if you are tired of looking in photography magazines and thinking, "Why don't my shots look like that?" then this is the book for you.
This isn't a book of theory-full of confusing jargon and detailed concepts. This is a book on which button to push, which setting to use, and when to use it. With nearly 200 more of the most closely guarded photographic "tricks of the trade" this book gets you shooting dramatically better-looking, sharper, more colorful, more professionally-looking photos every time"
Table Of Contents:
CHAPTER 1 Using Flash Like A Pro
10 Things You Wished You Had Known Before Reading This Book! Here Are Those Last Three Things Pop-Up Flash: Use It As A Weapon The Advantages Of A Dedicated Flash Get Your Flash Off With Your Camera Making Your Flash Wireless Going Wireless (Nikon), Part I Going Wireless (Nikon), Part II Going Wireless (Canon), Part I Going Wireless (Canon), Part II "Drag The Shutter" To See More Background How To Soften The Light From Your Flash Softer Light By Bouncing It Softbox-Quality Light From Your Flash Tip For Shooting Through A Diffuser Putting That Nice Twinkle Of Light In The Eyes Why You Might Want A Stand For Your Flash Mounting Flashes Anywhere Rear Synch Rocks (& Why You Should Use It) The Fourth Secret To Pro Flash Results Using Gels (& Why You Need Them) Using Gels To Get That SI Look If You Have To Use Pop-Up Flash, Do This Using A Second Flash Controlling Your Second Flash (Nikon) Controlling Your Second Flash (Canon) How Far Back Can You Stand Using Flash? How To Stand Back Even Farther Controlling Light To Add Drama Shooting Sunset Portraits With Flash
CHAPTER 2 Building A Studio From Scratch
Studio Backgrounds Using Studio Flash (Called Strobes) Softening Harsh Studio Strobes Why I Prefer Softboxes To Umbrellas What A Speed Ring Does (& Why You Need It) Using A Molding Light Firing Your Studio Strobe Firing Your Studio Strobe Wirelessly Using Contiguous Light Instead Choosing The Size For Your Softbox Why You Really Need A Light Meter How To Use A Light Meter Adding A Hair Light Where To Position Your Hair Light Testing Your Hair Light's Position Keeping Your Hair Light From Spilling Which Mode To Shoot In Where To Position Your Main Light Using A Fan For Windblown Effects Want Softer, More Even Light? Feather It? What That Extra Panel In Your Softbox Does Using A Pop-Up Collapsible Background The Least Expensive Extra Light Three Backgrounds For The Price Of One Using Off-Camera Flash To Light Backgrounds The Advantage Of Shooting Tethered Getting Super-Saturated Background Color Lighting A White Background Which Color Reflector To Use Where To Position A Reflector Reflectors Without An Assistant Seeing The Light From Your Reflector Keep Light From Hitting Background
CHAPTER 3 Shooting Portraits Like A Prayer
Don't Leave To Much Headroom Shoot In Portrait Orientation Shooting Portraits? Get A Battery Grip! The "Sun Over Your Shoulder Rule" Is Bogus Shoot Wide & Zoom In Tight Shoot Profile Shots In Horizontal Shoot Long For More Flattering Portraits Why Diffusers Rock For Outdoor Portraits Making A Better Background For Portraits Trendy Composition Tip Cropping Off The Top Of Their Head Group Photos Are Easier Outdoors Tip For Posing Group Portraits Great Tip For Casual Group Shots Don't Light You Entire Subject Evenly Want Better Portraits? Don't Count Down! Window Light: Where To Position Your Subject Window Light: Where You Should Shoot From Six Quick Tips For Fixing Facial Challenges Don't Shoot With Their Shoulders Straight On Making Your Subject Look Slimmer Using A Poser Chair Keeping Your Subject "In The Zone" Avoid Dappled Light Window Light: Where To Position Your Reflector Get Couples Really, Really Close Which Color Reflector To Use Shoot Outdoor Portraits Shallow Minimizing Shadows Under The Eyes
CHAPTER 4 Shooting Landscapes Like A Pro
The Secret To Shooting Sunsets Cutting Reflection In Water For Landscapes You Need A Clear Subject Using Your LCD Monitor Outdoors How To Shoot A Panorama That Works How To Have Photoshop CS3 Put It Together Shoot Fast When Shooting Landscape Panos A Timesaving Pano Trick The Trick To Using A Fisheye Lens When To Shoot Streams Don't Stop Shooting At Sunset How To Shoot Fog Getting Shots Of Lightning (Manually) Getting Shots Of Lightning (Automatically) A Trick For Shooting Great Rainbows Removing Distracting Junk Where To Focus For Landscapes Shots Find The Great Light First How To Shoot On A Gray, Overcast Day A Trick For Great-Looking Flower Shots The Full Frame Camera Advantage
CHAPTER 5 Shooting Weddings Like A Pro
Create A Shot List Have Backups For Everything! Silencing Your Camera's Beep Backlighting Your Bride Don't Change Lenses, Change Cameras Bring A Stepladder For A Higher Vantage Point Why You Want A Second Shooter When To Shoot In RAW Where To Aim Your Flash Shoot In Lower Light Without Raising Your ISO A Recipe For Balanced Flash In Church Add B&W To The Album The Advantage Of A Flash Bracket Tip For Posing The Bride Keeping The Detail In The Bridal Gown Getting More Flashes Per Wedding How To Lessen Noise In Your Photos Tips For Shooting The Brides Profile Wedding Zoom Effect Made Easy Read David Ziser's Digital Pro Talk Blog Daily
CHAPTER 6 Shooting Travel Like A Pro
In This Case, Less Gear Is Good Working People Into Your Travel Shots Getting People To Pose What To Shoot On Overcast Days Shooting From Your Hotel Room The Magic Time For Cityscapes Get These Shots Out Of The Way First Shooting Famous Landmarks Air Travel With Photo Gear Shoot The Food Get A GPS For Your Digital Camera Shooting Where They Don't Allow Flash Look For High Vantage Points Give Yourself A Theme
CHAPTER 7 Shooting Macro Like A Pro
Maximize Your Depth Of Field Why You Should Turn Auto-Focus Off Don't Touch That Shutter Button! Which F-Stop Works Best Point-&-Shoot Macro Photography A Tip For Visualizing Macro Why You Might Want To Shoot Indoors Buying A Macro Lens Perfect, Even Light For Macro Shots Making Your Lens Into A Macro Lens
CHAPTER 8 Pro Tips For Getting Better Photos
Which Mode To Shoot In Choosing The Right ISO Which Format To Shoot In (RAW, JPEF, Or TIFF) Which Size To Shoot In WHIMS Will Keep You Out Of Trouble How To Lock Focus Zooming In Close? Use A High Shutter Speed When It's Okay To Erase Your Memory Card Why You Need To Get In Really Close What To Use Your Histogram For Leave Your Lens Cap Off Removing Spots & Specks After The Fact What Looks Good In Black & White Recompose, Don't "Fix It" In Photoshop Want To Be Taken Seriously? Start Editing Label Your Memory Cards Go Square Tips For Shooting At Night (Long Exposure Noise) The Very Next Book You Should Get
CHAPTER 9 More Photo Recipes To Help You Get "The Shot"
67 of 72 found the following review helpful:
If you take photos, you'll love this book--and use it! Jan 07, 2008
By Janine Smith Like Mr. Kelby's best-selling first Digital Photography Book, this book is a gem. Every page is a single tip, clearly explained and illustrated. It's like sitting next to the best photographer you know while he explains what gear you need, and when and how to use it. No matter what brand your camera, what level your experience, or how big your budget, you're sure to find this book useful.
Highlights of Book 2 include how to set up and use studio lighting, flash, macro photography, weddings, portraits, and much, much more. At the end are sixteen "recipes" for getting specific types of shots, with all the details you need to know.
Keep this one in your camera bag. Not only is it full of information, it's inspirational. And a great gift for the photographer in your life.
65 of 71 found the following review helpful:
Short Cuts May 23, 2008
By Conrad J. Obregon A photography tip is a short instruction on how to do something in photography - "put the softbox as close as possible to the subject for the softest light" - without trying to put the instruction into any larger context.
This is a short book of photography tips that contains tips on using flash, studio photography, portraits, landscapes, weddings, travel, macro, and what should probably be called miscellany. There is a final section in which Kelby shows particular pictures and indicates his considerations in taking them. Each tip is less then a small page in length and includes an illustrative photograph.
Kelby is a Photoshop guru turned photography guru, and his images while nice, certainly are not inspiring. Be warned: many people are put off by his sophomoric sense of humor, which he displays throughout the book (e.g., the Committee for Creation of Complex Sounding Studio Gear Names).
I dislike tip books because they don't put photography technique within a larger context so that the reader learns a principle which he can apply to any circumstance. "Give a man a fish...." might have been written about tip books. For example, in the space of a few pages, the author tells us to shoot portraits with wide angle lenses and then tells us to use telephoto lenses. What might be called a comprehensive book would help us to understand the considerations involved in making a choice of focal length for portraits.
Most of the tips that Kelby provides are really quite basic, and will be familiar to anyone who has spent any time at all learning techniques. (I acknowledge there is some value in being reminded about a small technique, although one could be reminded as well by reading a more comprehensive book.) Some of the tips are repeated, like telling us to keep shooting after sunset, or to buy a fast normal lens to shoot in dim places where you can't use flash. Some of the tips are even contradictory, as when he tells the reader not to cut off the chin in a close-up portrait and then does just that later on. I particularly resented a so-called tip to buy a book that Kelby just happens to have edited and which I found to be interesting but not essential reading.
On the other hand, this is a book that you can pick up, read for a few minutes, and then put down. If you feel that's an essential quality for an instruction book, this certainly fills the bill.
16 of 16 found the following review helpful:
You need both... Jan 17, 2008
By John A. Van Devender
"Gadfly"
Kelby is one of the best when it comes to letting the rest of us in on the techniques of good photography. His first book lead to a quantum (perhaps an exaggeration) improvement in my own pictures, both from a composition and execution point of view. This book adds to the first, updates a couple of things, and gives a broader application.
In my opinion this book functions more as completing the set than as a stand alone work. If you do not have the first book then buy them both together and read them serially. Kelby's writing style is a bit (excessively?) "homey" and that can be a bit off-putting for some people. I personally don't mind and even enjoy his humor. There is no denying the effectiveness of his teaching though... short, pointed articles, each of which stands alone on its own but which add incrementally to the others. You can bounce around in his books to your hearts delight, pick up something and start using it right away and then go back and read something else which may add even more.
This book, along with his first, should be standard items in serious amateur photographers' libraries.
See all 252 customer reviews on Amazon.com
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The
Importance Of Lighting In Interior Design
by Jessica Ackerman
Everyone knows how important
paint color, furniture choices and artwork are to
interior design. One aspect of design that is often
overlooked, however, is lighting. Lighting not only
affects the brightness of the room, but it can also
change the way a paint color looks, cast shadows in ways
that make the room seem smaller and have an impact on
the presentation of art work.
There is no light like
natural light. If you are buying, building or
remodeling, opt for as much natural light as possible.
Oversized windows and skylights are two ways to get the
most natural light. Of course, not everyone is in the
position to be able to do that, so you'll have to work
with what you have.
How much natural light do
you get in your room? If the room in question faces
north, you won't get as much natural sunlight as you
would in a southern facing room. Rooms that face south
get bright, natural light throughout the day. Rooms that
face east will only have good natural light in the
morning hours and western facing rooms will have the
most light during the afternoon.
Once you are familiar
with how much natural light is in each room, you'll be
able to make informed choices about what additional
lighting may be necessary. Keep in mind that rooms with
little or no natural light will need artificial lighting
- even during the day - in order to look their best.
Here are some types of lighting to consider.
1. Accent Lighting
Accent lighting is
perfect when you want to showcase a piece of art or a
special piece of furniture or other item. Since light
draws the eye, it will bring attention to the features
in your room that you wish to highlight.
2. Hanging Light Features
Chandeliers and smaller
hanging lamps can be beautiful as well as functional. A
trip to the local home improvement store will quickly
show you how overwhelming the choices can be. You'll
want to select lighting that blends in with your
existing dÃÂécor. For example, a crystal chandelier in a
country themed dining room probably isn't the best
option. If you don't choose carefully, your lighting may
stick out like a sore thumb and become more of an
eyesore than a lovely accent.
3. Recessed Lighting
Recessed lighting is a
good choice for a room that needs extra light throughout
the day. Because the lighting won't interfere with the
existing decor, it can work in almost any room. It
provides abundant light without taking up a lot of space
or interfering with other aspects of the room.
4. Lamps
Using lamps are a way to
add not only additional lighting, but also punches of
color. If possible, see how much light the lamp gives
off before leaving the store. Many lamps serve as
decoration more than as a light source and give off very
little light. If you love the lamp, but it doesn't give
off quite enough light, consider changing the shade
which will usually solve the problem.
When decorating your
home, remember how important lighting is, and give it
the same thought and attention you give to the other
details of decorating your home.
About the Author
Jessica Ackerman is the
featured author at Wall DÃÂécor and Home Accents. Shop today
for great deals on
metal wall sculpture ,
home
accents and more unique wall dÃÂécor products.
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